Mar 03 2012
Tea Time Quilling Card
A cup of tea is an invitation to put your feet up and relax for a moment, or catch up with the latest news as you chat with a friend. Is it any wonder that teacups are such a popular motif in stamping and paper crafting?
When I first started thinking about this project, I envisioned my card having a decidedly Victorian feel. I had some nice off-white lace that I wanted to use and started looking through my papers to see what I might have to go with it. I was quite surprised to find that while I seem to be drawn to that style, it wasn’t reflected in my current paper stash and I didn’t have anything that would work.
That actually turned out to be a good thing. I am still in a “use what I already have” mood, which made me look at my current papers in a new way. I found a large scrap of striped print paper that reminded me of mid-century modern wallpaper and the look of my card quickly jumped a century from 1850 to 1950 and provided an opportunity to try some new quilling techniques.
I want to give Melisa Waldorf of Paperlicious Designs credit for the teacup template I used as the pattern to cut out my own blue teacup. I resized it a bit since I needed it smaller, but kept the rim wide enough to cover the packaged tea bag. I cut a slit through the front of the card and slipped in the teabag. It is held in place with a glue dot.
Most of the quilling designs are made from “solid rings” (the official North American Quilling Guild name for the ring coils) created by wrapping the quilling paper around a bamboo skewer, dowel, or tool handle.
I also used these rings to make the outline of the flower petals which I filled in using the Beehive technique Susan of Susan Quilling Cards introduced us to last December. Pritesh of Quilling Me Softly was kind enough to make a video of this technique.
I enjoy a nice hot cup of tea, especially on a cold evening, and this card with the enclosed teabag will let me share that enjoyment with a friend.
Quilling Tip
If tea isn’t your “bag” (I know, that was bad … LOL!), this card idea can be easily adapted to hold a packet of instant coffee or cocoa. Or try changing the tea cup to a soup bowl and add a packet of instant chicken soup for a thoughtful Get Well card for a sick friend.
























In my last post (
I was browsing through the bargain bins of ribbon and found a funky retro paisley design in yellow, green, and orange that simply screamed mini skirt and go-go boots.
I used the ribbon as my inspiration for a fun retro birthday card featuring a quilled go-go boot. The boot was created using an “outline & fill-in” quilling technique. You can use this technique to create any design you wish by following these simple steps:
Tear several strips of paper (I find 6″ to be a good length) and quill them into loose coils. Starting at either the top or bottom of your design, pinch the coils into shapes that fit within the outline of your design. Glue the quills together where they touch and pin into place. 




I was having lunch one day with a good friend of mine, Marsha (hi, Marsha!) right after the launch of my blog and she was kind enough to listen to me as I told her about a tea-stained tag I saw on the ‘net and that I thought it would make good vintage background for a piece of quilling. Marsha made the comment, “I guess you couldn’t stain the actual quilling because it would fall apart because of the glue.”
My curiosity was piqued and I had to find out.
I started by creating a quilled rose card (Fig 1) to use as the control for this experiment (remember your high-school science class?) to see what difference the staining made. The card consists of a quilled pink rose with mint green leaves on a white tag which is then layered on a rose stem printed paper and plain pink card stock. This was adhered to an ivory card (note: the actual folded card was never stained).
I then made a duplicate card, except I did not mount the pink card stock background to the actual folded card. I placed the piece on a plastic plate and dabbed it with the used coffee grounds (Fig 2).
The staining changed the look of papers giving them a more antique feel (Fig 6).
The final photo (Fig 9) shows the comparison of each card. (9A is the original control card, 9B is the card stained as a whole piece, and 9C is the card made from pre-stained pieces).
Staining the pieces individually gave me a lot more control. It was much easier to wipe away some of the stain if needed. The quilling papers crinkled up, but were easy enough to smooth out with my fingernail before rolling. You’ll note that I left the crinkle in the paper used for the tassel in this card since I thought it gave it more of a “fiber” effect.
Overall, I like the looks of the card made with this technique. I think it looks like it was aged with time and gives a very romantic feel to the quilling.
Please take a moment to send me a comment!










