Archive for the 'Quilling Technique' Category

Mar 03 2012

Tea Time Quilling Card

tea time quilling cardA cup of tea is an invitation to put your feet up and relax for a moment, or catch up with the latest news as you chat with a friend. Is it any wonder that teacups are such a popular motif in stamping and paper crafting?

 

When I first started thinking about this project, I envisioned my card having a decidedly Victorian feel. I had some nice off-white lace that I wanted to use and started looking through my papers to see what I might have to go with it. I was quite surprised to find that while I seem to be drawn to that style, it wasn’t reflected in my current paper stash and I didn’t have anything that would work.

 

tea time quilling card insideThat actually turned out to be a good thing. I am still in a “use what I already have” mood, which made me look at my current papers in a new way. I found a large scrap of striped print paper that reminded me of mid-century modern wallpaper and the look of my card quickly jumped a century from 1850 to 1950 and provided an opportunity to try some new quilling techniques.

 

I want to give Melisa Waldorf of Paperlicious Designs credit for the teacup template I used as the pattern to cut out my own blue teacup. I resized it a bit since I needed it smaller, but kept the rim wide enough to cover the packaged tea bag.  I cut a slit through the front of the card and slipped in the teabag.  It is held in place with a glue dot.

 

Most of the quilling designs are made from “solid rings” (the official North American Quilling Guild name for the ring coils) created by wrapping the quilling paper around a bamboo skewer, dowel, or tool handle.

 

behive quilling flowerI also used these rings to make the outline of the flower petals which I filled in using the Beehive technique Susan of Susan Quilling Cards introduced us to last December.  Pritesh of Quilling Me Softly was kind enough to make a video of this technique.

 

I enjoy a nice hot cup of tea, especially on a cold evening, and this card with the enclosed teabag will let me share that enjoyment with a friend.

 

Quilling Tip

If tea isn’t your “bag” (I know, that was bad … LOL!), this card idea can be easily adapted to hold a packet of instant coffee or cocoa.  Or try changing the tea cup to a soup bowl and add a packet of instant chicken soup for a thoughtful Get Well card for a sick friend.

 

8 responses so far

Jan 09 2012

Quilled All Occasion Card with Matching Gift Card Holder

I’m not much of a winter person, so by January my thoughts are turning to spring.  When I happened upon some pretty floral scrapbook paper, I used it to create this decidedly feminine card and gift card holder perfect for any occasion.

floral quilling cards

Michaels had their scrapbook paper on sale a few weeks ago and since I was already there, I just had to take a look.  I was happy to find a floral with a small pattern that I thought would work well with quilling.  My idea was to make a card using the paper and decorate it with a quilled version of the floral pattern. 

 

At least that was the plan, but after a few false starts I was beginning to wonder if this project would ever come together.  Then, I had one of those sleepless nights and tried again at 4:00am.  This time everything just came together. 

 

close up of quilling flowerThe flowers on the paper are simple 5-petal posies.  I wanted to maintain the look and feel of this style, but couldn’t resist jazzing the petals up a bit.  Instead of keeping the flower petals flat, I gave them dimension by rolling them as tight coils and then letting them uncoil just a little instead of all the way before gluing down the end and pinching them into teardrops.  This allowed me to take the end of my quilling tool and gently push out the center.  I then smeared glue on the back of the petals so that when dried, they would keep their new shape.  For even more dimension, I angled the petals a bit when gluing them together to form the completed flower.

quilled petals

Since the card would be handled, I glued two strips of quilling paper together for the vine so that it would be a little sturdier.

 

With the card done, I turned my attention to the gift card holder.  It is made using an empty toilet tissue roll!  I have no idea how I missed this recycling trend, but it was new to me.  I first saw it used in a project created by the very talented quiller, Sue Custer (Hi, Sue!).  She is on the Custom Quilling design team and used a toilet tissue roll to create a gift card pocket holder tag (you can see it here).  When I asked Sue about it, she directed me to an earlier project where she used the toilet rolls to make a cute mini album (you’ll find it here along with some directions). 

 

I had a hard time keeping the roll flat so I cut the tube and made mine into a fold-out card holder.  I decorated the tube inside and out with the same paper as the card then cut a strip the width of the holder and glued down just the ends to form a pocket for the gift card.  It is still curved, but I know that the gift card is secure and won’t fall out.

gift card with quilling tag

I closed the gift card holder by wrapping it with a piece of the same ribbon I used on the card and tied a matching bow.  The ribbon just slips off to open the card holder and both can be used again and again.  How’s that for recycling? 

 

To finish off the gift, I created a matching gift tag using a left over pricing tag as the base.  I covered one side with the floral paper and the other with the dotted paper.  I quilled one more flower using the cupped petals and added a quilled leaf.  I stamped a sweet sentiment on the dotted paper side and tied the tag onto the bow. 

quilled gift card tag

Whew!  That was a long post, but I hope I have inspired you to make your own matching card and gift card holder set. 

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For those of you interested, the floral paper is called “Itsy Bitsy Ditsy” from Recollections (which I think is Michaels’ store brand) and the color is called Pistachio.  The pink polka dot paper is called “Pink with Rose Trim” and is also by Recollections.  It has a green and white stripe of roses down one side of the paper.  I was tickled to find that Quilled Creation’s moss green and pale pink papers were an almost identical color match.

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Jan 30 2010

Enhance Your Quilling with Blending Chalks

Fig 1

Fig 1

Blending chalks are an excellent choice when you want to add a bit of color to your quilling.  Made by several manufacturers, they come in a wide array of colors from soft pastels to bright jewel tones.  Some even have a bit of shimmer mixed in (Fig. 1).

Chalks are easy to use and, unlike inks, are quite forgiving.  Small sponge applicators (similar to those used for eye shadow) usually come with the chalks.  Replacements can be a bit pricey in the craft stores, so you might want to look into the make-up applicators available at discount or beauty supply stores.  You can also use cotton swabs, cotton balls, and tissues to apply the chalk.
 
Fig 2

Fig 2

You can apply chalks directly to your finished quills.  This allows you to add color without splicing strips together.  For the leaf (Fig. 2), I applied a darker green to the lower portion of the shaped marquise and yellow to the top with just a touch of red on the tip.  In the photo, a plain leaf is on the left for comparison.

 
Quilled flowers can be enhanced with chalks as well.  Dark colors of chalk look striking on flowers made with light colored papers while light chalk colors can really make darker flowers pop. 
Fig 3

Fig 3

Yellow was added to the center of this star flower (on the right) giving it a warm glow.  A plain star flower is on the left for comparison (Fig. 3).
 
My favorite use of chalks is to highlight the background papers used with my quilling.  I love the look of torn paper edges and think they add a nice texture to a finished piece.  Sepia and brown colors will give your background papers a worn, aged look. 
Fig 4

Fig 4

Adding a color that blends or contrasts with your quilling is a great way to add interest and draw your eye into the quilling, just like when you add a mat to a piece of framed art  (Fig. 4).

 
Don’t limit yourself to just chalking the edges of the quilling background.  When I created this Valentine’s Day card for my husband, I brought the red chalk in from the edges and made it a part of overall design. 
Fig 5

Fig 5

The chalk highlights the subtle texture of the background paper without taking anything away from the true focus of the card — the quilled floral heart wreath (Fig 5).

 
Give blending chalks a try — I think you’ll find that they can give your quilling an added depth and beauty.
 

Tip:  Blending chalks are actually quite inexpensive and last a very long time.  They are softer, however, than the sidewalk or blackboard chalks you might have played with as a child and they crumble easily.  Also, I found out the hard way that the individual pieces of chalk are not glued inside their trays and will fall out if dropped, making a mess on your carpet if you are not careful.

 

If you would like to quill your own Floral Heart Wreath, a 12-page downloadable PDF quilling pattern is available.  Check out the Quilling Patterns section of the blog to learn more.

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Jan 15 2010

Quilled Stencil Rose

quilled-rose-stencil-framed21In my last post (Groovy Birthday Wishes) I talked about the very popular technique of filling in an outline with quilling to form a design.
Normally, your piece of quilled art would be glued on top of your background surface like I did with the boot.
But, what happens if you place the quilling under the background, cutting out pieces to reveal the quilling?
You get a very striking piece of art that almost resembles needlework.
quilled-rose-stencil21
The method is quite simple:
  1. Find a stencil that you like and lightly trace it onto the card stock you will be gluing the quilling shapes to.  Remember, this paper will show through the coiled pieces, so you’ll want to choose a nice neutral or coordinating color that will go with your design.
  2. Trace the stencil onto the paper you want as the cover for your quilling and cut it out with a craft knife.  (Note: the piece is easier to frame if the bottom card stock and the top cover sheet are the same size.)
  3. Roll your quilled shapes to fit slightly over the outline and glue to the card stock.  Once finished, glue the top paper over the guilling, lining up the cut out stencil with your quilling and covering up any rough rough edges of the quilled design.
  4. Frame your masterpiece and wait for friends to Oooooh and Ahhhh over your latest artistic endeavor.
Quilling Tip:  This would make an awesome home decor DIY project.  Add coordinating art work to a room that has a stenciled border.  Use the same stencil for wall art and a coordinating pillow.  Or create a stencil from a fabric pattern already in the room and bring it up to the wall with your own quilled piece.

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Dec 29 2009

Groovy Birthday Wishes

groovy-card2I was browsing through the bargain bins of ribbon and found a funky retro paisley design in yellow, green, and orange that simply screamed mini skirt and go-go boots. 
 
I wasn’t a teen during the Mod 60’s, but I do remember having a pair of white go-go boots when I was in kindergarten (thinking I was quite the femme fatale) and watching Hullabaloo and Shindig on TV.
 
groovy-card-inside2I used the ribbon as my inspiration for a fun retro birthday card featuring a quilled go-go boot.  The boot was created using an “outline & fill-in” quilling technique.  You can use this technique to create any design you wish by following these simple steps:
 
  1. Draw an outline of the desired design, or find inspiration on the web.  Resize the pattern as needed and print it out for your work board. 
  2. pinned-boot2Tear several strips of paper (I find 6″ to be a good length) and quill them into loose coils.  Starting at either the top or bottom of your design, pinch the coils into shapes that fit within the outline of your design.  Glue the quills together where they touch and pin into place. 
  3. Continue filling in your pattern with pinched loose coils.  If you are creating an elaborate design, you may want to “draw” lines within the pattern using paper strips or “paint” with your quills by changing the color of the quilling paper used for the coils.
  4. Glue a strip of paper along the outside of your quilled piece to finish off the edge and complete your design.
 
 
Quilling Tip:  Try coloring books and needlework patterns for designs with simple outlines.

3 responses so far

Aug 24 2009

Quilling Tip — Hiding the Paper Seams

When I am working on a piece of quilling, I don’t like to see the seam where the end of the paper strip is glued to the coil.  To me it looks unfinished and I try to avoid showing these seams when I can.  Picky?  Perhaps, but I think it gives the quilling a more polished appearance.  I have been using three tricks for years to help minimize the tell-tale seam left behind when making quills from loose coils and thought I would share them with you.
 
Fig 1

Fig 1

1.  Tear Your Paper Ends

Make sure that the end of the paper strip you glue down is torn so that the fibers blend into the coil.  If you glue down a cut edge, the seam is much more noticeable.  You can see the difference in Fig 1.  The coil with the cut end is on the left and the one with the torn end is on the right.
 
Fig 2

Fig 2

2.  Coil Shaping Tricks

There are two ways to hide the seams when making shaped coils (teardrops, marquises, squares, etc.).  The first method is to pinch the coil into the shape so the glued end of the paper is even with the pinched edge.   This gives a beautiful finish to the coil.   In Fig 2, the teardrop on the left has been pinched with the end at the tip where it all but disappears.  The teardrop on the right was shaped with the end clearly visible on the side.   Shaping my coils with the end at the tip is the method that I use 99% of the time.   However, if I know that the seam will be covered by another paper strip, such as a rose bud covered with a paper stem, I pinch the teardrop with the seam at the bottom.
 
Fig 3

Fig 3

3.  Hide Seams During Assembly

When possible, glue the seam ends or sides of your coils to each other when assembling your quillwork.  For example, if you are creating a flower from marquise coils, glue the tips with the pinched ends together for the center.  If you are combining a coil and a scroll (Fig 3) glue the seam end of the marquise inside the fold of the scroll. 
Fig 4

Fig 4

When gluing two loose coils together, try and turn the coils so that as one coil ends, the next one seems to begin, like an S-scroll only in two pieces (Fig 4).  

 
I’m sure these hints are old news to the seasoned quillers out there, but I hope they help those new to the art take their quilling to the next level.  Remember — it’s all in the details. 

4 responses so far

Aug 11 2009

Quilling Experiment — Puffy Markers

Published by under Quilling Technique

puffy-markersPuffy Velvet Fabric Markers by Marvy® Uchida are, as the name clearly indicates, made for fabrics.  However, paper crafters have discovered these markers and the product packaging now states that they are also “great for paper crafts.”  I was introduced to these markers through a very creative Yahoo! Group I belong to called the Scrapbook Lounge and have long wondered if the markers could be used with quilling.  Now that I have my blog I just had to buy some and try it — all in the name of research, you understand.  LOL!!!
 
Fig. 1

Fig. 1

Like many markers on the market, when you first open one, you need to shake it and then press the tip down on some scrap paper so the color can fill the tip.  Once the color flows, you are good to go. 

 
Continuing the rose theme from my last blog entry, I made two red rose buds.  I left one plain (Fig. 1) and painted the other one with the red marker. 
 
Fig. 2

Fig. 2

After letting it dry for 30 minutes per the instructions, I heated it with the heat gun and it puffed — a lot (Fig. 2).  While I didn’t like it enough to use it on my quilling, I found the effect very interesting and wanted to give it another try.  I quilled another rose bud and applied the fabric paint, but this time I immediately patted it with a paper towel to remove any excess paint. 

 
Fig. 3

Fig. 3

When I applied the heat gun, it didn’t puff nearly as much (Fig. 3).  The instructions tell you not to rub it after the puff-up effect is achieved, but I just had to touch it and it does, indeed, feel very soft and velvety.  I thought that this rose was worthy of finishing and made it into a card, just like I did with the plain one.

 
I next tried the yellow marker, but experienced very different results.  I couldn’t get the yellow paint to “puff.” 
Fig. 4

Fig. 4

You’ll see in Fig. 4 that the top rose is plain for comparison.  The middle rose has the puffy paint on, but it just didn’t do anything.  Trying to be fair, I made another yellow rose and gave it go.  In trying to get the paint to puff, you can see that I held the heat gun on the rose too long and burned the paper.  Oops!  I really don’t know if the problem is with the puffy paint marker or the user.  

 
My pack of markers includes the color black and you might just see this product again as I try it with some spiders and bats at Halloween.  If you would like to give it a try, you will find the Puffy Velvet Fabric Markers in the fabric paint section of your local craft store, not with the paper craft markers.  
 
How about you?  Do you know of a product that might work well with quilling?  Leave me a comment and I’ll investigate the possibilities.
 
Quilling Tip:  It is better to quill the rose bud, apply the paint and puff it with the heat tool before finishing the rose with the calyx and stem to avoid the possibility of the puffy paint bleeding onto the calyx.
 
 

Newsletter Teaser

 
The first issue of my newsletter is almost ready.  I don’t want to give away all of the surprises, but I can tell you that it contains a free quilling pattern for the rose featured in this blog, along with complete instructions for turning it into a romantic card for that special someone.  So, if you haven’t yet signed up for my newsletter, do it now.  You won’t want to miss it!

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Jul 29 2009

Coffee-Stained Quilling Experiment

fig-12I was having lunch one day with a good friend of mine, Marsha (hi, Marsha!) right after the launch of my blog and she was kind enough to listen to me as I told her about a tea-stained tag I saw on the ‘net and that I thought it would make good vintage background for a piece of quilling.  Marsha made the comment, “I guess you couldn’t stain the actual quilling because it would fall apart because of the glue.” 
 
That comment stopped me in my tracks.  I had never thought about staining the quilling.  Could it be done?  What would be the best technique to use?  And most importantly, what would it look like?  fig-22My curiosity was piqued and I had to find out.
 
You may be wondering about my use of coffee to stain the papers since tea is usually used.  In our household, however, my husband is a coffee drinker and I make two small pots a day.  So, instead of wasting a teabag, I used the coffee grounds still in the used filter for the staining. 
 
The Process
 
fig-32I started by creating a quilled rose card (Fig 1) to use as the control for this experiment (remember your high-school science class?) to see what difference the staining made.  The card consists of a quilled pink rose with mint green leaves on a white tag which is then layered on a rose stem printed paper and plain pink card stock.  This was adhered to an ivory card (note: the actual folded card was never stained).
 
fig-41I then made a duplicate card, except I did not mount the pink card stock background to the actual folded card.  I placed the piece on a plastic plate and dabbed it with the used coffee grounds (Fig 2). 
 
You’ll notice that only the tops of the quills were stained (Fig 3).   
 
After the quilling dried, I adhered the stained quillwork to the folded card (Fig 4).
 
Next, I decided to stain the individual quilling papers and background papers used to make the quilled rose card (Fig 5). 
 
fig-51The staining changed the look of papers giving them a more antique feel (Fig 6). 
 
You can see that the staining is more even on the quills when the individual papers are stained (Fig 7). 
 
Fig 8 shows the completed card made from pre-stained quilling strips, tag, and background papers.
 
fig-61The final photo (Fig 9) shows the comparison of each card.  (9A is the original control card, 9B is the card stained as a whole piece, and 9C is the card made from pre-stained pieces). 
 
My Thoughts
 
Staining the quilling as a whole piece is my least favorite technique.  Already assembled, it was too hard to control the staining.  I had a hard time getting into the nooks and crannies around the rose and the overall look is a bit too blotchy for me. 
 
fig-71Staining the pieces individually gave me a lot more control.  It was much easier to wipe away some of the stain if needed.  The quilling papers crinkled up, but were easy enough to smooth out with my fingernail before rolling.  You’ll note that I left the crinkle in the paper used for the tassel in this card since I thought it gave it more of a “fiber” effect. 
fig-81Overall, I like the looks of the card made with this technique.  I think it looks like it was aged with time and gives a very romantic feel to the quilling.
 
I would love to know what you think about my coffee-stained quilling experiement. 
fig-9Please take a moment to send me a comment!
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